I denounce the fact that Jon Krakauer himself is neither soft or hard on this issue, but if I have to put in an answer on his objective, his softness to Chris McCandless (Now wholly under Alexander Supertrap) is not described by his own opinion but by the opinions of others, for implying Alex’s softness requires the hypothesis Jon gathers in two ways, people and the examples of others like him in the past. This means that the softness is not presented because he wanted to, but because the weight of the softness proves to be heavier than the misdemeanors, making it change our emotional direction.
Krakauer shows but not tells his softness by conveying through Alex’s good friend Wayne Westerberg, a farm machinery worker from South Dakota, a man whom Alex managed to have pleasant connections with, while with other acquaintances is Carthage ( the placeAlex crashed for a time) such as Mrs Westerberg and his wife Borah Westerberg. And yet It can be agreed and by the New York Times that Krakauer goes brash on his delivery in chapter seven, making it seem that even if Alex was great socially he had failed on his ability to be logical, in example of westerberg saying about Alex that “there were gaps in his thinking” (Westerburg 63), Jon makes a great example to his method of putting “condemnation at bay”, because what he does is he waits for the opportunity of Wayne criticizing to subside into sympathy. This is shown after the fact in page 64 when Wayne denounces Alex’s behavior to his family by saying in all, that his decision was unlawful and out of respectable conduct, however when Wayne grabs himself together, he leaves his strict approach by saying in the end that “knowing Alex… he must have gone stuck on something between him and his dad and couldn’t leave it be”.
Although the pattern is consistent with negativity, Jon Krakauer journalizes in the end with sympathy and reason as well as finding into Wayne’s Sympathy and reason, providing naturally and un-impartially an underlying softness to the story. Nonetheless with putting in nuance, the bad publicity of Alex can outweigh the softness, but this relies on Waynes Westerberg’s view and not the others, like in complements to Ronald Franz, a man so old and inside the “solitary existence” (Krakauer 55) of the badlands that Alex managed to somehow pick up his pieces by his intellect and mannerisms, making Jon from his observations that softness is in fact how McCandless should be defined by.
And if Jon’s reports on softness or what it can called as “slight- relatability” are scant enough to be pushed back, outside sources in of the adventurous people before Alex’s time have a lot to say of whether his “Bumbling” or “underprepared[ness]” (by Nick Jan’s drunken fury) has any forthright to explain the character that is him. For example in short (I get this is long to read), the round table of eccentric vagabonds and neanderthalic journeymen like Rosellini, Waterman and McCunn in either the 50’s, -80’s might as well had the same displacement and forever attachment to primitive living, but the doomed results that came in of their projects in the cases of suicide, disorders and theoretics does not entail a curse for future onlookers or that Alex was casted in the same mold. His unwavering discipline like all of them could be best related to the interior of an exceptional man, but a “pilgrim” Krakauer refers to him (Krakauer 85) tends to go in the wild softly, innocently and knows beforehand in why.
Now onto if Krakauer believes if Alex is Idealist or not to be of the sort, I believe from my coming of going that Alex was indeed, looking into his dream or by Krakauer's interpretation as a dream “too powerful to be quenched by human contact” (Krakauer 66) . I know I might have said far more of what his softness was and less of if I think he is, but I have came and gone in many places, schools and homes and known many people that I can’t blame Alex of his outward confidence of when he went in what could’ve a been, yet was, a perilous experience. Because Alex realized what It was like to leave and fail to keep in communication for a long time due to his dream steering into what he needed rather than wanted from folks, he’d seen all the changes around him that a style of overconfidence is not so bad when you know for a fact that you could die of starvation or feel hurt by losing others. Starvation is definitely not what i’ve been through (and will never be), but I really relate to how a dream or aspirations, like being an artist for reference, might impinge on my friends or family because its dedication is seen as outlandish, but his dream required sacrifices, sacrifices that bring results. By the way, with him rejecting his family, there is definitely more to his story that I'm sure of and there needs to be more information before judging.
All I know is the people moved along and he moved along, and he achieved the survivalist dream (for a long extended period) without us seeing it. Softly or by the contrary.